本片 榮獲第四屆深圳青年影像節(jié)紀(jì)錄片類(lèi) 最佳創(chuàng)意獎(jiǎng) ，香港中文大學(xué)、 第二屆中國(guó)民族博物館 永久收藏獎(jiǎng) 。
　　有意想觀看的，可聯(lián)系版權(quán)方微信：1714371600
　　《加一》顛覆大眾對(duì)留守兒童的固定思維，以獨(dú)特的視角呈現(xiàn)最真實(shí)的留守兒童生活。
　　加一是一名留守兒童，父母常年在外打工，每次短暫的相聚都會(huì)牽動(dòng)加一幼小 的心靈：長(zhǎng)途 跋涉和爺爺去看望在外打工的父母，離別時(shí)躺在爸爸腿上靜靜落淚；春節(jié)過(guò)后媽媽提前出去打工，沒(méi)有說(shuō)再見(jiàn)是因?yàn)橥低刀阍诒?窩里泣不成聲。然而父母離開(kāi)后生活依然要繼續(xù)，忍受過(guò)難嘗的別離滋味后，依然要忘掉煩惱，快樂(lè)地和同學(xué)玩耍，淘氣地逗哭弟弟后又像大人一樣哄著他。每天和弟弟徘徊在哭與笑之間，就這樣在痛與樂(lè)中成長(zhǎng)著。
　　留守兒童并不是“苦逼”的代名詞，他們有他們的快樂(lè)，有他們的純真，他們也確實(shí)要忍受不一樣的孤獨(dú)和無(wú)奈。大時(shí)代下的小人物，他們的生存狀態(tài)是這個(gè)時(shí)代的特殊印跡。
　　The documentary, “JIAYI”, adopts a particular position from where it objectively and non-discriminatingly uncovers a real world of these left-behind kids in rural area in China, which overthrows the social stereotyping towards this special group existing in the remote and underdeveloped regions.
　　JiaYi, one of these unattended children, cherished every single reunion with her parents who work as migrant labors: she would travel thousands of miles with her grandfather to visit them; lying on her father’s leg and crying silently is her way of resisting saying goodbye; Tears flooded her eyes so violently that she didn't says any words when her mother had to leave earlier than planned to start working during the spring festival. However, life goes on no matter they are ready or not. She struggles to survive in the suffering of separation while at the mean time, she must learn to forget this painfulness and pretend to live like a normal kid who enjoys her time in school with peers. She, like a mature adult, can make her younger brother cry and then burst into laughs. Their life is filled with tears and laughter as they grow up happily and toughly.
　　“Sadness” is not supposed to be the first image of these unattended children. Even though they have to withstand the loneliness and desperation that are not normally experienced by their peers, they still have their share of happiness and innocence. They contribute to maybe a minor section of this era but their very existence still leaves marks on this thriving generation filled with variations.